Mimesis in a Cognitive Perspective

This is what Jean-Marie Schaeffer also suggests: “Il apparaît notamment que, contrairement à ce que soutenait Platon, la mimésis est bien une operation cognitive, au double sens où elle est la mise en oeuvre d'une ...

Mimesis in a Cognitive Perspective

Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject to wide-ranging interpretations. Nicolae Babuts looks at the concept of mimesis from a cognitive perspective. He identifies two main strands: the mimetic relation of art and poetry to the world, defined in terms of reference to an external reality, and the importance of memory in the making of plots or storytelling.Babuts suggests that there is a material identity we cannot know beyond the limits of our senses and intellect and a symbolic or coded identity that is processed by memory. All writers, including Mallarme in his esoteric poetry, Flaubert in his realist narratives, and Mihai Eminescu, the Romanian poet, in his romantic poems, rely on mimetic strategies to link the two identities: the images in memory to the outside reality. All order their narratives in accordance with the dynamics of memory. Babuts describes this phenomenon with great insight, showing how new traditions are formed.

More Books:

Mimesis in a Cognitive Perspective
Language: en
Pages: 252
Authors: Nicolae Babuts
Categories: Literary Criticism
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject
Mimesis in a Cognitive Perspective
Language: en
Pages: 252
Authors: Nicolae Babuts
Categories: Literary Criticism
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject
Literature and the Metaphoric Universe in the Mind
Language: en
Pages: 280
Authors: Nicolae Babuts
Categories: Literary Criticism
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

Nicolae Babuts believes that the study of metaphoric thought and literature can be enriched by the application of recent discoveries from neuroscientific c experiments. He maintains that metaphors are neither linguistic formations nor conceptual formations, but instead the product of association of images and language. They are a matter of
Mircea Eliade
Language: en
Pages: 223
Authors: Nicolae Babuts
Categories: Literary Criticism
Type: BOOK - Published: 2014-04-18 - Publisher: Transaction Publishers

Mircea Eliade (1907–1986) was one of the twentieth century’s foremost students of religion and cultural environments. This book examines the emergence, function, and value of religion and myth in his work. Nicolae Babuts, Robert Ellwood, Eric Ziolkowski, John Dadosky, Robert Segal, Mac Linscott Ricketts, Douglas Allen, and Liviu Borda examine
Fictional Realities / Real Fictions. Contemporary Theatre in Search of a New Mimetic Paradigm
Language: en
Pages: 250
Authors: Mateusz Borowski, Malgorzata Sugiera
Categories: Literary Criticism
Type: BOOK - Published: 2009-03-26 - Publisher: Cambridge Scholars Publishing

The collection of essays Fictional Realities / Real Fictions. Contemporary Theatre in Search of a New Mimetic Paradigm tackles the problem of fictionality and reality in contemporary theatre practice and playwriting. It approaches this hotly debated issue in a larger context of the theories of theatrical and dramatic mimesis. The