Guitar Cultures

Live or recorded, guitar music and performance, collecting and manufacture sustains a network of varied social exchanges that constitute a distinct cultural milieu.Representing the first sustained analysis of what the guitar means to ...

Guitar Cultures

The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting point for understanding social interaction and cultural identity. Guitar music can be sexy, soothing, melancholy or manic, but it nearly always brings people together and creates a common ground even if this common ground is often the site of intense social, cultural, economic and political negotiation and contest.This book explores how people use guitars and guitar music in various nations across the world as a musical and symbolic basis for creating identities. In a world where place and space are challenged by the pace of globalization, the guitar provides images, sounds and styles that help define new cultural territories. Guitars play a crucial part in shaping the commercial music industry, educational music programmes, and local community atmosphere. Live or recorded, guitar music and performance, collecting and manufacture sustains a network of varied social exchanges that constitute a distinct cultural milieu.Representing the first sustained analysis of what the guitar means to artists and audiences world-wide, this book demonstrates that this seemingly simple material artefact resonates with meaning as well as music.

More Books:

Guitar Cultures
Language: en
Pages: 224
Authors: Andy Bennett, Kevin Dawe
Categories: Music
Type: BOOK - Published: 2001-11-01 - Publisher: Berg Publishers

The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting
Guitar Cultures
Language: en
Pages: 224
Authors: Andy Bennett, Kevin Dawe
Categories: Social Science
Type: BOOK - Published: 2020-05-18 - Publisher: Routledge

The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting
The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance
Language: en
Pages: 248
Authors: Kevin Dawe
Categories: Music
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now
John Williams: Changing the Culture of the Classical Guitar
Language: en
Pages: 214
Authors: Michael O'Toole
Categories: Music
Type: BOOK - Published: 2019-04-08 - Publisher: Routledge

This book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams. Beginning with an examination of Andrés Segovia and his influence upon Williams’ life’s work, a further three incisive chapters cover key areas such
Southern Cultures: 2013 Global Southern Music Issue, Enhanced Ebook
Language: en
Pages: 231
Authors: Harry L. Watson, Jocelyn Neal
Categories: History
Type: BOOK - Published: 2013-02-04 - Publisher: UNC Press Books

The Global Southern Music Issue enhanced eBook includes all the tracks on Traveling Shoes, our special free CD and: The South meets Senegal as hip-hop goes Trans-Atlantic. Hawaiian steel guitar sways the Southern musical landscape. Poet Allen Ginsberg and bluesman James "Son" Thomas trade verses. Aussie Elvis impersonators keep the