Critique of Bored Reason

In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon.

Critique of Bored Reason

Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon. He provides a critical reconstruction of the concept of the modern subject as universal, rational, autonomous, and self-sufficient. Understanding itself in this way, this subject is at once the protagonist, playwright, director, and spectator of the staged drama of human existence. It is therefore inevitably monological, lonely, and alone, and can neither escape its own presence nor get rid of it. In other words, it is bored—and this boredom is the fundamental expression and symptom of the modern condition. Considering such thinkers as Descartes, Pascal, Kant, Kierkegaard, Kracauer, Heidegger, and Benjamin, Critique of Bored Reason places boredom on center stage in the philosophical critique of modernity. Nikulin also considers the alternative to the notion of the autonomous subject in the—nonbored and nonboring—dialogic and comic subject capable of shared existence with others.

More Books:

Critique of Bored Reason
Language: en
Pages:
Authors: Dmitri Nikulin
Categories: Philosophy
Type: BOOK - Published: 2021-11-02 - Publisher: Columbia University Press

Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon. He
Melancholy and the Critique of Modernity
Language: en
Pages: 304
Authors: Harvie Ferguson
Categories: Social Science
Type: BOOK - Published: 2005-08-10 - Publisher: Routledge

The connections between the emergence of modern society and the experience of melancholy are explored through a comprehensive re-examination of Soren Kierkegaard's rich and insightful writings.
Dialogic Pedagogy and Polyphonic Research Art
Language: en
Pages: 326
Authors: Eugene Matusov, Ana Marjanovic-Shane, Mikhail Gradovski
Categories: Education
Type: BOOK - Published: 2019-04-04 - Publisher: Springer

This book presents voices of educators describing their pedagogical practices inspired by the ethical ontological dialogism of Mikhail M. Bakhtin. It is a book of educational practitioners, by educational practitioners, and primarily for educational practitioners. The authors provide a dialogic analysis of teaching events in Bakhtin-inspired classrooms and emerging issues,
The Culture of Boredom
Language: en
Pages: 324
Authors: Eugene Matusov, Ana Marjanovic-Shane, Mikhail Gradovski
Categories: Literary Criticism
Type: BOOK - Published: 2020-04-28 - Publisher: BRILL

Culture of Boredom is a collection of essays by well-known specialists reflecting from philosophical, literary, and artistic perspectives. The goal is to clarify the background of boredom, and to explore its representation through forgotten cross-cutting narratives.
Melville and the Theme of Boredom
Language: en
Pages: 247
Authors: Daniel Paliwoda
Categories: Literary Criticism
Type: BOOK - Published: 2010-01-13 - Publisher: McFarland

Boredom is a prevalent theme in Herman Melville’s works. Rather than a passing fancy or a device for drawing attention to the action that also permeates his work, boredom is central to the writings, the author argues. He contends that in Melville’s mature work, especially Moby Dick, boredom presents itself